- "Soundscapes reveal a lot about how people think and behave." The field recordist and musician talks about listening culture, repatriating African sounds and his new album with The Bug.
- Today's conversation moves away from the dance floor, focusing instead on the ambient soundscapes of Berlin-based musician Joseph Kamaru—AKA KMRU—whose work has been featured at festivals like CTM, MUTEK, Atonal, Horst Arts & Music, Dekmantel and Unsound; concert halls like the Barbican; and major galleries and site-specific installations around the world.
Kamaru moved to Europe from Nairobi, where he first became interested in music production, and field recordings specifically. As a graduate student in the sonic arts, he learned that the majority of the discourse around sound art practices is specific to Western ways of thinking. He's since embarked on a mission to use field recording as a means of repatriating African identities that are often left out of institutional archives and grapple with the legacy of colonialism.
In this RA Exchange, Kamaru reflects on the sociopolitical angle of his work, and his observation that listening, by its very nature, is never neutral. He also talks about how civilisation and technology have changed our collective listening habits, as well as how sound sources beyond the human hearing range make their way into his work with the use of electromagnetic microphones. He just released an album called Disconnect with the musician Kevin Richard Martin (AKA The Bug). Listen to the episode in full.